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Association and dissociationIt is useful to consider not only dissociation but also association. Dissociation can be thought of as stepping out of an image; association can be thought of as stepping into an image. The literature plays a great deal of attention to dissociation but very little to association. Dissociation is dealing with negative thoughts and emotions. Association is taking advantage of positive thoughts and emotions. Association draws heavily on the techniques of NLP. Even so, association can still involve negativity. The essential element is seeing something, whether positively or negatively, from inside the picture. Even so, this is why dissociation is required. To overcome the negative aspects, a person needs to step outside of the picture: to dissociate. The essential difference between association and dissociation is illustrated in the following figure.
As we pointed out, dissociation refers to the ability a person
has to ‘detach’ himself or herself from their immediate environment, i.e.,
of ‘stepping outside’ of themselves and observing himself or herself and
being in other places simultaneously. We all possess this faculty and it is
utilized considerably in dreams. However, as with other faculties we have
discussed, people have this ability to varying degrees. But once again, it is
possible to cultivate the ability with a little practice. Dissociation is as old as man. Socrates was known to dissociate
on frequent occasions, and the shamans of all ages have utilized this ability.
Automatic writing is also based on the
ability to dissociate – but in this case, to dissociate the writing arm. Some
researchers have argued that the degree of dissociation is the same as the
degree of hypnosis and, accordingly, would argue that hypnosis is no more than
dissociation. This is not the case, and rests on a lack of understanding, both
of the phenomenon of hypnosis and that of dissociation. Many hypnotic features
can be illustrated without the aid of dissociation. Furthermore, by making such
a link, hypnosis becomes associated with only one
of its characteristics. It is like defining a bicycle as a machine with two
wheels! There is little doubt that the degree of dissociation a person can
achieve is linked, in some way, to the depth of hypnosis a person can achieve:
generally, the greater the ability to dissociate, the greater the depth of
hypnosis. In addition, the degree of dissociation is also linked to the degree
of amnesia that can be achieved. A somnambulist who is amnesic can usually
dissociate to a very high degree. But once again, varying degrees of
dissociation can occur without amnesia. Dissociation, therefore, is neither
necessary nor sufficient for hypnosis to occur. One other general observation is worth making about
dissociation. Once dissociation has been established in a hypnotic state, the
person becomes much more suggestible and instructions are much more readily
absorbed by the unconscious mind, and acted upon. The next section will deal with three different sets of
instructions that can be used to achieve dissociation. In a later section, I
shall take up some points raised by these instructions – including a
discussion of glove anesthesia and automatic writing. In the following section,
the relationship between dissociation and the ego, and why, therefore,
dissociation is important in hypnotherapy, will come under discussion. My
intention here is to deal, most particularly, with non-medical uses of hypnosis. How to achieve dissociationThe aim of these suggestions is to ‘detach’ yourself from your immediate environment, to ‘step outside’ of yourself. In the first of the three instructions, I shall employ this term somewhat literally. In the second and third instructions, dissociation is brought about by means of pictorial images. In each case, it is assumed that you are already in a hypnotic state. All the images described here can be found on the scripts/dissociation web page. The first dissociation (script
#1) is stepping out of your body. Script #2 is an image for
disappearing! This can be a very absorbing scene
and one that you may respond to in a variety of ways. There is no harm that can
arise from this instruction, although, on the first occasion, the sensations
that may be created can surprise you. Never be alarmed. Simply realize that no
harm can come to you and just let things happen. By the time that you have
vanished (!), you will be in a dissociated state. Why? Because the person
becoming smaller and smaller must be some ‘other’ person from the one in the
chair, and so the two must dissociate. The scene does not have to be a bed; it
can be outdoors, or anywhere else you may like. The message is: be imaginative. Script #3 deals with a change in body image. Once again, this can become very absorbing because you will experience a number of sensations. As the scene unfolds, you should allow enough time in the pauses (denoted …) to let the sensations take effect on the body. Inevitably, you will dissociate from the person in the chair. Your thoughts and your conscious awareness seem to be ‘out there’ in the wind and in the whirlwind. If you have not dissociated before you become a whirlwind, this will almost certainly bring it about. Once these instructions have been completed and you have gone off into space (!), after some moments of silence you can continue with suggestions, because now you will be in a much more suggestible state. Some points about dissociationHaving tried some, or all, of these exercises on dissociation,
you will have a clear appreciation of what it means. The first observation to
make about your response is that your attention is moved to the scene –
whether rising out of your body, becoming smaller, or becoming a whirlwind. Your
attention is directed away from your physical body and there is a splitting of
consciousness. This allows you to release the conscious hold on your physical
body, which remains sitting in the chair. The right brain is then free to
operate on your physical body, by means of the unconscious mind. Far from being an act of introversion, dissociation allows you
to have a clearer perspective about your body image because you can become
critical of yourself. Psychologists have demonstrated that we do have a body
image, which has been shaped by past experiences and associations with people
and places. Dissociation allows you both to distort your body image temporarily,
and to take on others. This, then, gives you more of an appreciation of your own
body image. You cannot be aware of air, which is necessary for life. You can be
aware of polluted air, or more significantly you can be aware of its absence,
but you cannot be aware of its presence. The same tends to be true about body
image. But, unlike air, we can become aware of it by means of dissociation. A second observation about dissociation is its use in such things as ‘glove anesthesia’, i.e., the loss of feeling in the hand, or anesthesia in other parts of the body. What is done, in these cases, is to dissociate the appropriate part of the body. Let us take glove anesthesia as the simplest example. In this instruction, the object is to dissociate the hand. When this is done, your awareness lies ‘outside’ in the imagined hand and so leaves your physical hand insensitive to pain. You can only feel pain when you are aware of it, and since your awareness is ‘in’ the imagined hand that feels no pain, then you feel no pain. Before proceeding with the instructions, it is important first to know the location of your actual right arm, on which we shall direct attention. We shall assume, throughout, that you have both arms on the arms of the chair. The instructions are given in script #4. This type of suggestion is usually undertaken in a heterohypnotic
situation. If anesthesia can be accomplished, it has been used in operations,
childbirth and dentistry. In the self-hypnotic context it can only be used as a
means of redirecting your attention, your awareness, away from the source of the
pain. If, however, you had a pain in your right hand, you would be better to
direct your attention completely away from your hand and to something different.
The point of including this is to demonstrate the importance of dissociation.
All research demonstrates that pain remains present in the location, but if you
can redirect your awareness away from the location of the pain, then the pain
will not be felt. Dissociation is just one technique of redirecting your
awareness. The idea of dissociation in your arm is useful in another
phenomenon, namely that of automatic writing. Although automatic writing can be
done in a non-hypnotic state and without the aid of dissociation, it can be
accomplished easier by means of hypnosis. The idea is basically the same as
glove anesthesia, but now, having dissociated your awareness away from your
physical right hand, you then make suggestions to the effect that your right
hand, which is now resting on a page of paper and holding a pen, is
controlled solely by the unconscious mind. Thus, you prepare yourself with a
board and paper on your lap and a pen resting in your right hand. You then
dissociate as in glove anesthesia, and continue the suggestions as outlined in script
#5. Wait a few moments. The writing may begin in a jerky fashion, it
may or may not be intelligible; it may even be in the form of mirror writing.
Most certainly, it could be joined together and use its own form of shorthand,
e.g. to, too or two is likely to be written as ‘2’. Basically, the right
brain does not conform to the correct usage of English. This has begun to
interest those involved in linguistics, but they must realize that ‘primitive
language’, or what Chomsky calls ‘deep structure’, is a feature of the
right brain and not the left, in which words and ‘surface structure’ is
processed. In carrying out automatic writing you need not be in a hypnotic
state, but you must be capable of dissociating your writing arm. This is a clear
illustration of why dissociation and hypnosis are different. A third aspect of dissociation is its relationship to fantasy.
The easier you find it to fantasize, the easier you will find it to dissociate.
Children like fairy stories and fantasize quite frequently. They also frequently
dissociate. They do not consider this unusual; because, to them, it seems quite
natural and all children do it to varying degrees – they, at least, understand
what each other mean! As we ‘put away such childish things’, so we also tend
to put away fantasizing. Why this is classified as ‘childish’ and not
‘grown up’ is, in my view, a feature of our age of reason. As reason and logic have become dominant, so we have become very
left brain dominated, and so such fantasies have been demoted, simply because
they do not involve reason. But the human mind is more aware of its needs than
man gives it credit for, and so such tales remain. Parents rarely fail to get
some personal delight when telling their children a fairy tale. This mode of
expression has remained in places like
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